Jean Marc Nattier
1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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Jean Marc Nattier Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05) oil painting


Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05)
1732 Canvas 75 1/4 x 62 1/2''(191 x 159 cm)Bequest of Dr Louis La Caze 1869
Painting ID::  20652
Jean Marc Nattier
Mademoiselle de Lanbesc as Minerva,Arming Her Brother the Comte de Brionne and Directing Him to the Arts of War (mk05)
1732 Canvas 75 1/4 x 62 1/2''(191 x 159 cm)Bequest of Dr Louis La Caze 1869
   
   
     

Jean Marc Nattier The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05) oil painting


The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05)
1741 Canvas 32 x 25 1/2''(81 x 65 cm)Bequeathed in 1895
Painting ID::  20653
Jean Marc Nattier
The Countess Tessin Wife of the Seedish Ambassador in Paris (mk05)
1741 Canvas 32 x 25 1/2''(81 x 65 cm)Bequeathed in 1895
   
   
     

Jean Marc Nattier Peter I oil painting


Peter I
mk60 1717 Oil on canvas 56x43"
Painting ID::  28435
Jean Marc Nattier
Peter I
mk60 1717 Oil on canvas 56x43"
   
   
     

Jean Marc Nattier A.B.Kurakin oil painting


A.B.Kurakin
mk60 1728 Oil on canvas 51 1/2x43"
Painting ID::  28436
Jean Marc Nattier
A.B.Kurakin
mk60 1728 Oil on canvas 51 1/2x43"
   
   
     

Jean Marc Nattier Marie Adelaide of France Represented as Diana oil painting


Marie Adelaide of France Represented as Diana
mk68 Oil on canvas Florence,Uffizi, 1745 France
Painting ID::  30611
Jean Marc Nattier
Marie Adelaide of France Represented as Diana
mk68 Oil on canvas Florence,Uffizi, 1745 France
   
   
     

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     Jean Marc Nattier
     1685-1766 French Jean Marc Nattier Gallery Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.

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